The MKH 20 is usually used as a main microphone for orchestras and solo instruments, and picks up the natural acoustics of the room, though it does have a much wider range of applications as omni-directional microphones do not suffer from 'proximity effect'.
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Exceptionally flat frequency response, switchable for near and diffuse field applications
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High-frequency response can be accentuated by means of a pressure build-up ring
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Slightly increasing directivity at high frequencies to adjust tonal balance
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Exceptionally low inherent self-noise
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Transformerless and fully floating balanced output
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Switchable pre-attenuation
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Black, anodised light metal body
